From "Around Me: Granularity through Triangulation and Similar Scenes" Sebring, 2012.

"The Whole and the Journeys: Computational Historiography in the Optical Data Field," The Matter of the Immaterial, Chinese/English, Intellect, Ltd., Bristol, UK, and SIVA Shanghai, forthcoming (2016).

“Civilization & Barbarism: Cartoon Commentary & ‘The White Man’s Burden’ (1898–1902),” The Asia-Pacific Journal, Vol. 13, Issue. 27, No. 2, July 06, 2015.

“Civilization & Barbarism: Cartoon Commentary & the ‘White Man’s Burden’ (1898–1902),” unit on MIT Visualizing Cultures, 2014. view

“Atmosphere: Disorientation in Visual Narrative as a Time Traveler’s Tool,” MutaMorphosis Conference proceedings, Academy of Sciences, Prague (publication tk), 2012. view pdf

“World on the Head of a Pin: Visualizing Micro and Macro Points of View in China’s Boxer War of 1900,” Transcultural Tendencies | Transmedial Transactions, Ascott, Roy and Yuan, Xiaoying, editors, Volume 20 Numbers 2 & 3, Intellect, Ltd., Bristol, UK, 2012 (229-237).

“Around Me: Granularity through Triangulation and Similar Scenes,” Technoetic Telos: Art, Myth and Media Part 2, Volume 30, Number 3, Intellect, Ltd, Bristol, UK, 2012 (69-78).

From "Atmosphere: Disorientation in Visual Narrative as a Time Traveler’s Tool" Sebring, 2012.

“Acts of Authoring within a Visual Narrative Field,” Consciousness Reframed 12: Presence in the Mindfield: Art, Identity and the Technology of Transformation, Ascott, Roy and Girao, Luis Miguel, editors, Universidade de Aveiro, Portugal, 2011 (235-239).

“Picture Pathways as Threads through Time: from Opium to Boxers, China 1838-1900,” Making Reality Really Real, Consciousness Reframed 11, TEKS Publishing, Trondheim, Norway, 2010 (179-180).