re|vision European Experimental Film Festival, September 24, 2016. Bartos Theater, E15, Wiesner Building, MIT, 20 Ames Street, Cambridge, MA
Innovative humanities MOOC, “Visualizing Japan,” nominated for the Japan Prize - See article.
VJx, the MOOC we developed in 2014 in a collaboration between MITx and HarvardX, is one of six finalists for the Japan Prize. The six-week course is running again this fall. You can also take it at any time, going at your own pace. View course
My unit “Civilization & Barbarism: Cartoon Commentary & the ‘White Man’s Burden’ (1898-1902)” is the latest offering on MIT Visualizing Cultures. It explores a theme that appeared frequently in the database I have been compiling on the Boxer Uprising in China. John Dower felt it would make a strong unit on its own in that the graphics bring together three wars not often grouped: the Philippine-American War; British-Boer War; and the Boxer Uprising.
The content dovetails with another newly-released unit by MIT historian, Christopher Capozzola, “Photography & Power in the Colonial Philippines I: Conquest by the Camera (1898-1902).” American troops fighting in the Philippines were the first to be shipped to China for the campaign against the Boxers and Qing Dynasty. The two units focus on different media from the same time period: photography and political cartoons.
Reporting on the Philippine-American War was censored in the U.S. I was excited to find an 1899 cartoon (below) by George Benjamin Luts that showed awareness of that. The image-rich book, The Forbidden Book: The Philippine-American War in Political Cartoons, takes its title from the idea that censorship lead to historical amnesia about the war itself.
Special thanks to John Dower for his editorial support and to Peter Perdue for procuring some of the images. I look forward to our upcoming collaboration on the Boxer Uprising units.
Former Fellows and students from the Center for Advanced Visual Studies gathered November 8, 2014 to honor and celebrate Otto Piene who passed away in Berlin on July 17, 2014. Piene was instrumental in many art-and-technology movements as director of CAVS from 1974-1993. His memory is vibrantly alive in the CAVS family and works around the globe. It was an emotional, creative, respectful, and slightly wild. Heartfelt thanks to Elizabeth Goldring Piene, Seth Riskin, Mark Mendel, Laura Knott, Jon Goldman, Lees Ruoff, Vin Grabill, John Powell, Walter Dent, and all who worked so hard to bring the community together.
Photos: Ellen Sebring